Oppenheimer wins big at Critics Choice Awards

Christopher Nolan receiving the best director prize for Oppenheimer during the Critics Choice Awards on Jan 14. PHOTO: REUTERS

LOS ANGELES – Oppenheimer, director Christopher Nolan’s epic movie about the creation of the atomic bomb, cleaned up at the Critics Choice Awards on Jan 14, winning best picture and seven other prizes as the Oscars race heated up.

The movie, which grossed US$1 billion (S$1.33 billion) and is now the clear front runner for the Academy Awards in March, also won for best director, supporting actor, cinematography, score, ensemble, editing and visual effects.

Collecting his prize for directing, Nolan thanked the critics who “helped with convincing mainstream audiences that a film about quantum physics and apocalypse could be worth their time”.

Robert Downey Jr thanked his fellow “Oppenhomies” as he followed up his Golden Globe win with another best supporting actor prize.

Despite the dominance of Oppenheimer, the remaining acting categories rewarded other films at the gala – one of a raft of major awards shows in the run-up to the Academy Awards on March 10.

Robert Downey Jr receiving the best supporting actor prize during the Critics Choice Awards on Jan 14. PHOTO: REUTERS

Emma Stone won best actress for Poor Things, a surreal dark comedy in which she plays a Victorian reanimated corpse with the brain of an infant, who gradually learns about the world but refuses to pander to its social mores and hierarchies.

“Playing Bella was one of the greatest joys of my life. I got to unlearn a lot of things in playing her – unlearn parts of shame, and societal stuff that gets put on us,” Stone said.

“I’m very grateful to the critics... but I’m just learning not to care what you think,” she joked.

Emma Stone receiving the best actress prize during the Critics Choice Awards on Jan 14. PHOTO: REUTERS

The award is her latest after she won at Jan 7’s Golden Globes – as did Paul Giamatti, who famously celebrated his victory by taking a late-night trip with his trophy to California’s popular fast-food chain, In-N-Out Burger.

“I didn’t think my week could get any better than going viral for eating a cheeseburger,” joked Giamatti as he won the best actor trophy for 1970s-set prep school comedy The Holdovers.

“It’s a good story about people connecting in divisive times. So thank you for helping get it out to audiences.”

The win puts the veteran actor, known for hits like Sideways (2004), head-to-head with Cillian Murphy, who portrays American physicist J. Robert Oppenheimer in Nolan’s biopic, for the Oscars race.

Paul Giamatti receiving the best actor prize during the Critics Choice Awards on Jan 14. PHOTO: REUTERS

Fellow Holdovers star Da’Vine Joy Randolph consolidated her position as 2024’s best supporting actress with her latest win for her portrayal of the school’s grieving cook.

The Critics Choice Awards – chosen by almost 600 members of North America’s largest critics organisation – laid out a red carpet and lavish gala at a former airport hangar in Los Angeles for Hollywood A-listers.

Although Barbie – the other half of last summer’s Barbenheimer box-office phenomenon – has so far failed to capture top prizes this awards season, it was showered with honours in a range of other categories.

The film won for best comedy, original screenplay, song, production design, costume, and hair and make-up.

French courtroom drama Anatomy Of A Fall won best foreign-language film, and Spider-Man: Across The Spider-Verse was named best animated movie.

American Fiction won best adapted screenplay, while American actor Harrison Ford accepted a career achievement award at the gala hosted by comedienne Chelsea Handler.

She alluded early in the show to the dismally received Golden Globes monologue delivered by her ex-boyfriend, comedian Jo Koy, who threw his writers under the bus at that awards show when his jokes went sour.

After cracking wise about her crush on Killers Of The Flower Moon director Martin Scorsese, Handler told the crowd with a smirk: “Thank you for laughing at that. My writers wrote it.” AFP, NYTIMES

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